Outstanding Sound Editing For A Limited Series, Movie Or Special - 2019
Catch-22
"Episode 1"
Hulu
- Jerry Ross, Sound Supervisor
- Doug Mountain, Dialogue Editor
- Byron Wilson, Dialogue Editor
- Chris Assells, Sound Designer
- Jeff Fuller, Sound Effects Editor
- Michael Alexander, Music Editor
- Clayton Weber, Foley Editor
- Catherine Harper, Foley Artist
- Catherine Rose, Foley Artist
Chernobyl
"1:23:45"
HBO
- Stefan Henrix, Supervising Sound Editor
- Joe Beal, Sound Designer
- Michael Maroussas, Dialogue Editor
- Harry Barnes, ADR Supervisor
- Andy Wade, Music Editor
- Philip Clements, Foley Editor
- Anna Wright, Foley Artist
- Mandell Winter, MPSE, Sound Supervisor
- Daniel Colman, MPSE, Supervising Sound Effects Editor
- Ben Cook, MPSE, Sound Designer
- Bernard Weiser, MPSE, Dialogue Editor
- Brian Armstrong, MPSE, Dialogue Editor
- Shane Hayes, Dialogue Editor
- Rob Chen, ADR Editor
- Dhyana Carlton-Tims, ADR Editor
- Micha Liberman, Music Editor
- Eryne Prine, MPSE, Foley Editor
- John Sievert, Foley Artist
- Stefan Fraticelli, Foley Artist
- Jason Charbonneau, Foley Artist
True Detective
"The Great War And Modern Memory"
HBO
- Mandell Winter, MPSE, Sound Supervisor
- David Esparza, MPSE, Sound Designer
- Micah Loken, MPSE, Dialogue Editor
- Bernard Weiser, MPSE, Dialogue Editor
- Ryan Collins, MPSE, Sound Effects Editor
- Fernand Bos, MPSE, Music Editor
- Jason Wormer, Music Editor
- Eryne Prine, MPSE, Foley Editor
- Sarah Monat, Foley Artist
- Robin Harlan, Foley Artist
When They See Us
"Part Four"
Netflix
- John Benson, Sound Supervisor
- Susan Dudeck, Supervising ADR/Dialogue Editor
- Bruce Tanis, Sound Designer
- Chase Keene, Dialogue/ADR Editor
- Jesse Pomeroy, Dialogue Editor
- Naaman Haynes, Dialogue Editor
- Bobbi Banks, Dialogue Editor
- Elliott Koretz, Sound Effects Editor
- Matt Wilson, Sound Effects Editor
- Suat Ayas, Sound Effects Editor
- Jen Monnar, Supervising Music Editor
- Dawn Lunsford, Foley Artist
- Alicia Stevenson, Foley Artist